Friday, June 29, 2012
Catching UP!
Books that went to press, or back to press this week:
WHEN DEAD CATS BOUNCE, by Newton Love
BEER CART GIRLS SAVE THE WORLD, by John Piccarreto
CONSORTIUM, by Steven Clark Bradley
LAST STOP FREEDOM, by Ann Nolder Heinz
Galleys that went out, or went out again this week:
NO MOTIVE FOR MURDER, by Virginia Winters
A CUP OF JOY, by Anna Dynowski
A DESIRE PATH, by Jan Shapin
Work began or continued on the following:
THE COMFORT OF THE SHEPHERD, by Barbara Garro
Galleys still with the authors:
NIGHT SHIFT, by Lisa Marie Brennan
DEATH SHADOWS, by Sharon Jordan
Thursday, June 28, 2012
WARNING OF MORE SPAM!
Thanks to a tip from Eleanor Cross, I foudn out that More spam is going out in my name. Please be warned. This one is a "no subject" message with a single link inside and no message.
IF YOU GET ONE, DO NOT CLICK ON THE LINK!!
I even got one from myself. It appears to have gone to everyone who was in an addressbook I had about three years ago. Several people on it are now deceased and others have changed e-mail addresses, so I know the information they used was not current. I got those messages as "returns".Wednesday, June 27, 2012
Lisa Marie Brennan’s Peanut Butter Cookies
1 cup flour
½ teaspoon baking soda
½ cup butter
1/4 cup light brown sugar
1 egg
1 teaspoon vanilla extract
1 cup peanut butter
pinch of salt
Sift together the flour, baking soda and salt and set aside. Cream together the butter and sugar with electric mixer until light and fluffy. In another bowl, mix the egg and vanilla extract, then slowly beat into the butter mixture. Stir in the peanut butter and blend thoroughly. Stir in the dry
ingredients. Chill for at least 30 minutes, until firm.
Preheat the oven to 350-F or 177-C degrees Grease two baking sheets. Spoon out rounded teaspoons of the dough and roll into balls. Place the balls on the baking sheets and press flat with a fork into circles and 2 ½ inches in diameter, making a criss-cross pattern. Bake
for 12-15 minutes until lightly colored. Transfer to a rack to cool.
Contributed by Lisa Marie Brennan, author of Night Shift...a book that will be republished in August.
Tuesday, June 26, 2012
HOT HERO CONTEST! Here's your chance....
ATTENTION ROMANCE WRITERS
Seeking Nominations from YOU for...
SUMMER'S HOTTEST HERO CONTEST
It's
going to be the battle of all battles this summer as 32 of 2012's
hottest heroes suit up in their armor, fangs, fur, camouflage, fire
-fighting gear, etc., and square off. There will be five rounds of
elimination with prizes for voters along the way and prizes for the top 3
authors at the end.
We
realize what's "HOT" is completely subjective - alpha shifters,
highlander warriors, loyal soldiers, the neighbor across the street - so
many possibilities. We can't possibly be aware of all worthy
contenders. We need your help!
WE WOULD LIKE YOU TO NOMINATE YOUR FAVORITE FROM ANY
ROMANCE SUB-GENRE. THE ORIGIN OF NOMINATIONS WILL BE KEPT CONFIDENTIAL
WHEN BEING REVIEWED BY THE SELECTION COMMITTEE.
You have until July 4th, 11:59 PM US Centra
l time to nominate your favorites. To qualify for nomination a book must meet the following criteria:
The book must have been published between September 1, 2011 and June 1, 2012.
The eligible book must be longer than 10,000 words.
The book is available for sale at allromance.com or omnilit.com
Monday, June 25, 2012
Choosing detail -- writing tip
Question: How do I know what details to put in? I want to enrich my story, but not to bury it in a lot of extraneous detail.
Answer: If you haven't read John Gardiner's THE ART OF FICTION, you might want to try it one day. He talks a lot about using specific detail, which means you don't have to invent everything. You can choose details that you already know. I gave a character my son's '66 Austin-Healy the other day and used some real action that took place when some of his friends from college picked up his car and moved it to a different parking lot. When asked why, they said they were looking for a place to stick the key so they could wind it up and just got tired of carrying it around. But the character wasn't my son. She was...well, that's another story. The important thing is that because I could see that little red car clearly, my reader will see it too. I didn't have to "make up" anything.
To this character, movement was essential. She was breezy, bright, and always on a mission. So the car fit for her and for what she was like. If she had been older and a more-serious type, I might have given her a Buick sedan; a soccer mom would get a tan SUV and so on. You choose the details that will add to your character, but you only need one or two and they should tell the reader something about her.
It's important, too, what kind of detail you choose. In a story about a mother's love, a vehicle would be a last choice. Something that she does to show her love for her children would be more appropriate. Also it's important to choose carefully. Beware of choosing a detail with too much portent.
There's an old writing teacher's story about the Russian writer, Anton Checkov, who allegedly told his students when offering advice about creating detail, "If you hang a gun on the wall in the dining room, the story won't be over until someone fires that gun." What this means, essentially, is that a writer must choose small detail carefully. A gun is a heavy portent, it foreshadows action, not family dinner-talk.
Answer: If you haven't read John Gardiner's THE ART OF FICTION, you might want to try it one day. He talks a lot about using specific detail, which means you don't have to invent everything. You can choose details that you already know. I gave a character my son's '66 Austin-Healy the other day and used some real action that took place when some of his friends from college picked up his car and moved it to a different parking lot. When asked why, they said they were looking for a place to stick the key so they could wind it up and just got tired of carrying it around. But the character wasn't my son. She was...well, that's another story. The important thing is that because I could see that little red car clearly, my reader will see it too. I didn't have to "make up" anything.
To this character, movement was essential. She was breezy, bright, and always on a mission. So the car fit for her and for what she was like. If she had been older and a more-serious type, I might have given her a Buick sedan; a soccer mom would get a tan SUV and so on. You choose the details that will add to your character, but you only need one or two and they should tell the reader something about her.
It's important, too, what kind of detail you choose. In a story about a mother's love, a vehicle would be a last choice. Something that she does to show her love for her children would be more appropriate. Also it's important to choose carefully. Beware of choosing a detail with too much portent.
There's an old writing teacher's story about the Russian writer, Anton Checkov, who allegedly told his students when offering advice about creating detail, "If you hang a gun on the wall in the dining room, the story won't be over until someone fires that gun." What this means, essentially, is that a writer must choose small detail carefully. A gun is a heavy portent, it foreshadows action, not family dinner-talk.
Friday, June 22, 2012
Catching UP!
Books that went to press, or back to press this week:
LAST STOP FREEDOM, by Ann Nolder Heinz.
Galleys that went out, or went out again this week:
NO MOTIVE FOR MURDER: Dangerous Journeys, Vol. 3, by Virginia Winters
WHEN DEAD CATS BOUNCE: Nick Schaevers Mysteries, Vol. 2, By Newton Love
THE COMFORT OF THE SHEPHERD: Parable Prayer and Meditation, Vol. 2, By Barbara Garro
CONSORTIUM: Patriot Acts, Vol. 3, by Steven Clark Bradley
A CUP OF JOY, Harmony Village Series, Vol. 6 by Anna Dynowski
Work began or continued on the following:
DEATH SHADOWS, by Sharon Jordan
A DESIRE PATH, by Jan Shapin
Galleys still not returned from their authors:
BEER CART GIRLS SAVE THE WORLD, by John Piccarreto
NIGHT SHIFT, by Lisa Marie Brennan
LAST STOP FREEDOM, by Ann Nolder Heinz.
Galleys that went out, or went out again this week:
NO MOTIVE FOR MURDER: Dangerous Journeys, Vol. 3, by Virginia Winters
WHEN DEAD CATS BOUNCE: Nick Schaevers Mysteries, Vol. 2, By Newton Love
THE COMFORT OF THE SHEPHERD: Parable Prayer and Meditation, Vol. 2, By Barbara Garro
CONSORTIUM: Patriot Acts, Vol. 3, by Steven Clark Bradley
A CUP OF JOY, Harmony Village Series, Vol. 6 by Anna Dynowski
Work began or continued on the following:
DEATH SHADOWS, by Sharon Jordan
A DESIRE PATH, by Jan Shapin
Galleys still not returned from their authors:
BEER CART GIRLS SAVE THE WORLD, by John Piccarreto
NIGHT SHIFT, by Lisa Marie Brennan
Thursday, June 21, 2012
Query Letter -- writing tip
Question: When I was your student, you gave me a handout on how to write query letters. If you still have it, I'd like to see it again. Fara.
Answer: Sure, Fara, here 'tis.
WRITING QUERY AND COVER LETTERS
One page, tops! Be brief. Be concise. Be truthful, but creative. What you say in that letter can make the difference of whether your manuscript goes right to the top, or ends up in the "slush" pile.
If the manuscript has been requested, say so in the first line. "I am sending along the manuscript or Sample you asked to see when we talked at the IWWG Conference last week." And mark the outside of the box or the e-mail with attachment "Requested Material." A "requested" manuscript goes straight to the person to whom it is addressed. Unrequested manuscripts usually go to a "first reader" for screening.
If the manuscript has not been requested, the FIRST PARAGRAPH should tell what it is you're trying to sell.
AS AN EXAMPLE: DON'T: I've just completed the most wonderful book (or story/article) in the world and I just know you're going to love it. The characters are wonderful, and the plot is a good one too. I'm just sure it will be a best seller and make a lot of money for us both.
DO: Enclosed is a synopsis and the first few chapters of my contemporary thriller, TUTANKHAMEN LIVES! It is aimed for an audience that enjoys paranormal and horror, and offers a new slant on the curse of the tomb legend. Set on an archeological dig in the Valley of the Kings, it centers on the relationship between Egyptian archeologist Aldar Namid, and American exchange student, Delilah Hutton, who becomes his assistant.
The SECOND PARAGRAPH (or more if necessary) tells briefly what happens in the book. It does not explain anything in detail, but does give some idea of the problems that the characters will have to solve. This section should read like cover copy on a book jacket. The function of this part of the letter is to make someone want to read the book.
AS AN EXAMPLE: Aldar and Lilah, engaged in the excavation the tomb of a minor Pharaoh, are puzzled when they find antiquities from the wrong era, artifacts that Lilah believes may have come from Tutankhamen's tomb. Who could have hidden them there? Papyrus scrolls warn of a curse and a series of accidents increases tension on the dig - among the workers and between the hero and heroine as well. A mysterious figure with the head of a dog, an ancient artifact boobytrapped with a modern poison, and the freshly slain body of their foreman, lead Lilah and Aldar further and further into a web of suspense. When Aldar disappears, Lilah investigates on her own, following clues that lead her to a confrontation with an entity more fearsome and powerful than anything she has ever experienced.
The FINAL PARAGRAPH tells who you are, lists your major credits if any, and tells briefly of any special qualifications you have for writing that particular book.
AS AN EXAMPLE: This is my first novel, but short fiction has appeared in PANDORA, CREEPSHOW, and TALES OF THE UNEXPLAINED. Several paranormal novellas appeared in 2004 with a now-defunct e-publisher, and some early works appeared in CAMEO, a collection of gothic tales that ceased publication last year.
Answer: Sure, Fara, here 'tis.
WRITING QUERY AND COVER LETTERS
One page, tops! Be brief. Be concise. Be truthful, but creative. What you say in that letter can make the difference of whether your manuscript goes right to the top, or ends up in the "slush" pile.
If the manuscript has been requested, say so in the first line. "I am sending along the manuscript or Sample you asked to see when we talked at the IWWG Conference last week." And mark the outside of the box or the e-mail with attachment "Requested Material." A "requested" manuscript goes straight to the person to whom it is addressed. Unrequested manuscripts usually go to a "first reader" for screening.
If the manuscript has not been requested, the FIRST PARAGRAPH should tell what it is you're trying to sell.
AS AN EXAMPLE: DON'T: I've just completed the most wonderful book (or story/article) in the world and I just know you're going to love it. The characters are wonderful, and the plot is a good one too. I'm just sure it will be a best seller and make a lot of money for us both.
DO: Enclosed is a synopsis and the first few chapters of my contemporary thriller, TUTANKHAMEN LIVES! It is aimed for an audience that enjoys paranormal and horror, and offers a new slant on the curse of the tomb legend. Set on an archeological dig in the Valley of the Kings, it centers on the relationship between Egyptian archeologist Aldar Namid, and American exchange student, Delilah Hutton, who becomes his assistant.
The SECOND PARAGRAPH (or more if necessary) tells briefly what happens in the book. It does not explain anything in detail, but does give some idea of the problems that the characters will have to solve. This section should read like cover copy on a book jacket. The function of this part of the letter is to make someone want to read the book.
AS AN EXAMPLE: Aldar and Lilah, engaged in the excavation the tomb of a minor Pharaoh, are puzzled when they find antiquities from the wrong era, artifacts that Lilah believes may have come from Tutankhamen's tomb. Who could have hidden them there? Papyrus scrolls warn of a curse and a series of accidents increases tension on the dig - among the workers and between the hero and heroine as well. A mysterious figure with the head of a dog, an ancient artifact boobytrapped with a modern poison, and the freshly slain body of their foreman, lead Lilah and Aldar further and further into a web of suspense. When Aldar disappears, Lilah investigates on her own, following clues that lead her to a confrontation with an entity more fearsome and powerful than anything she has ever experienced.
The FINAL PARAGRAPH tells who you are, lists your major credits if any, and tells briefly of any special qualifications you have for writing that particular book.
AS AN EXAMPLE: This is my first novel, but short fiction has appeared in PANDORA, CREEPSHOW, and TALES OF THE UNEXPLAINED. Several paranormal novellas appeared in 2004 with a now-defunct e-publisher, and some early works appeared in CAMEO, a collection of gothic tales that ceased publication last year.
Wednesday, June 20, 2012
Pico de Gallo -- recipe
Matthew L. Schoonover’s Pico de Gallo
2 large tomatoes (do not use Romano tomatoes), diced
1 twined bunch of cilantro, finely chopped
1 large onion (yellow or white, your choice), finely diced, not minced
2 to 4 Serrano peppers (with or without seeds, per your own tastebuds), finely chopped
mix everything together
Juice of half a lime or lemon, squeezed over concoction - er, I mean ingredients
Serve with corn tortilla chips, or over assorted foods of your liking.
(Personally, I enjoy it with Spanish rice.)
Contributed by Matthew L. Schoonover, author of the Arbiter Series featuring Incubus Detective Augustus Pilot, and A Sense of Endless Woes...Former FBI agent Jack Monosmith survived being sucked into a tornado and thrust into fame. Now in A Sense of Endless Woes, Jack works for Griselda the Great, astrologer to the stars, and finds himself the major suspect in the murder of her billionaire client.
Tuesday, June 19, 2012
Resonance -- writing tip
Question: Hi, Arline. Thanks for the "foreshadowing" tip. You were right about that and my writers' group experience has been much improved, except for one member (a librarian) who says, "It just doesn't resonate for me." Resonate? Am I pounding a drum, here?
Answer: As with sub-text in dialogue, how a piece of writing resonates is a personal thing for the reader. It often depends on the experiences the reader brings to the work. If a writer describes a church, every reader will imagine a different one, often one they have known and attended. But each reader brings his own imagination into play to create the images of the described church.This is why reading is so much more fun that watching a film. Watching is passive. Reading is participatory.
Unlike images, "resonance" is the feeling readers brings to the words you give them, and the insights they glean from it. Usually, resonance comes from the reader's reaction to the words, not from anything the writer plans to build in. Each reader will perceive it in a different way.
Take a look at the following:
Good writing can always be read at two levels and sometimes at more than than. Take the old Robert Frost poem for instance:
“...The woods are lovely, dark and deep,
but I have promises to keep,
and miles to go before I sleep.”
On the surface it’s about someone who stopped to admire the scenery and then went on about his business. But when we take a second look, it says a lot about how we often deny ourselves the things we long for and enjoy in order to keep promises to others, or because we have duties to fulfill. This is an age-old problem for any writer.
For many years I wanted to write, but I didn’t start until my children were almost grown, because I would have been torn between my need to write and my need to mother. I think that’s what Frost was saying, too.
Yet different readers would react differently. A veteran would think one thing; an escaped felon, another; the lawman who tracked the felon would find a different way to experience the words.
You might want to ask in your group: "What does it say, finally?" to see if their perceptions match what you want them to understand from what you wrote.
If it is only the ONE person who feels your work doesn't "resonate," it's possible that she just isn't getting your message and the other participants are. I wouldn't worry too much unless they all agree.
Answer: As with sub-text in dialogue, how a piece of writing resonates is a personal thing for the reader. It often depends on the experiences the reader brings to the work. If a writer describes a church, every reader will imagine a different one, often one they have known and attended. But each reader brings his own imagination into play to create the images of the described church.This is why reading is so much more fun that watching a film. Watching is passive. Reading is participatory.
Unlike images, "resonance" is the feeling readers brings to the words you give them, and the insights they glean from it. Usually, resonance comes from the reader's reaction to the words, not from anything the writer plans to build in. Each reader will perceive it in a different way.
Take a look at the following:
Good writing can always be read at two levels and sometimes at more than than. Take the old Robert Frost poem for instance:
“...The woods are lovely, dark and deep,
but I have promises to keep,
and miles to go before I sleep.”
On the surface it’s about someone who stopped to admire the scenery and then went on about his business. But when we take a second look, it says a lot about how we often deny ourselves the things we long for and enjoy in order to keep promises to others, or because we have duties to fulfill. This is an age-old problem for any writer.
For many years I wanted to write, but I didn’t start until my children were almost grown, because I would have been torn between my need to write and my need to mother. I think that’s what Frost was saying, too.
Yet different readers would react differently. A veteran would think one thing; an escaped felon, another; the lawman who tracked the felon would find a different way to experience the words.
You might want to ask in your group: "What does it say, finally?" to see if their perceptions match what you want them to understand from what you wrote.
If it is only the ONE person who feels your work doesn't "resonate," it's possible that she just isn't getting your message and the other participants are. I wouldn't worry too much unless they all agree.
Monday, June 18, 2012
Carlene Rae Dater’s Wild Rice Casserole
1 cup wild rice
½ lb. fresh or 2 cans mushrooms
¾ cup butter
3 Tbsp. grated onion
3 cups chicken broth
Soak and wash rice 3 or 4 times in boiling water till rice opens up. Slice fresh mushrooms. Brown rice in butter; add remaining ingredients except broth. Put into buttered 2 ½ quart casserole. Add broth. Cover and bake at 350-F or 177-C for about 1 ½ or 2 hours. Takes a while, but well worth it.
Contributed by Carlene Rae Dater, author CALL SIGN LOVE
Like a heat-seeking missile, his gaze burns her from across the room. Tall, blond and muscular, he's perfect. They meet and start to fall in love when Cyndia Simmons discovers the awful truth. Todd Whitlow is a Sheriff's Deputy and she doesn't date men in law enforcement, ever.
Please share with your friends.
Saturday, June 16, 2012
Friday, June 15, 2012
Catching UP!
Books that went to press, or back to press this week:
TERROR REIGNS, by Eleanor Cross
DEADLY RECEPTION, by C.M. Albrecht
Galleys that went out, or went out again, this week:
CONSORTIUM, by Steven Clark Bradley
THE COMFORT OF THE SHEPHERD, by Barbara Garro
Galley corrections returned by authors this week:
DEATH SHADOWS, by Sharon Jordan
NO MOTIVE FOR MURDER, by Virginia Winters
Galleys still out with authors:
BEER CART GIRLS SAVE THE WORLD, by John Piccarreto
NIGHT SHIFT, by Lisa Marie Brennan
Work began or continued on the following:
A DESiRE PATH, by Jan Shapin
A CUP OF JOY: Harmony Village, Vol. 6 by Anna Dynowski
Tuesday, June 12, 2012
Writing Tip from Nikki Leigh
1. If you write every day, you get better at writing every day.
2. If it's boring to you, it's boring to your reader.
3. Get a writing routine and stick with it.
4. Poetry does not have to rhyme. Poetry does NOT have to rhyme. Poetry does not have to RHYME!
5. Resist stereotypes in your writing and in your life.
6.Writers read. Writers read a LOT. Writers read ALL THE TIME.
7. Make lists of your favorite words, and characters, and books.
8. Always carry a notebook. ALWAYS carry a pen.
9. There doesn't have to be a moral to a story, but there does have to be a theme.
10. Go for walks. Dance. Do the dishes. Think about things. And write about them.
11. Don't settle on just one style. Try everything.
12. Learn to tell all sides of the story.
NOW THEN, why are you reading this??? GO WRITE SOMETHING!!
Monday, June 11, 2012
Adirondack Apples:
3 Empire Apples
1/2 cup of New York State Maple syrup
3 cinnamon sticks
1 tsp.of genuine vanilla extract
Preheat oven to 400-F or 204-C degrees. In a bowl, mix well the syrup and the vanilla extract. While oven is preheating, wash, core, but do not peel the apples. Place apples in a baking brick or other high-walled oven dish. Insert a cinnamon stick into each apple, and fill in the remain core space with the syrup/vanilla extract mix, drizzling remaining mix over the apples. Cook for fifty minutes.
Terry L. White is the author of more than 18 books, including her popular Chesapeake Series.
Friday, June 8, 2012
Catching UP!
Books that went to press, or went to press again this week:
DEADLY RECEPTION, by CM Albrecht
Galleys that went out, or went out again, this week:
NO MOTIVE FOR MURDER, by Virginia Winters
CONSORTIUM, by Steven Clark Bradley
Work began or continued on the following:
COMFORT OF THE SHEPHERD, by Barbara Garro
A CUP OF JOY, by Anna Dynowski
A DESIRE PATH, by Jan Shapin
WHEN DEAD CATS BOUNCE, by Newton Love
Galleys still out with the authors:
DEATH SHADOWS, by Sharon Jordan
NIGHT SHIFT, by Lisa Marie Brennan
BEER CART GIRLS SAVE THE WORLD, by John Piccarreto
Current Best Sellers and Reader Rated Books for OUR COMPANY at Fictionwise:
Kindly remember that this means you sold one more copy than anyone else's title did sell. Don't expect high numbers as this is for our company, NOT for the whole site. It does, however, give you a "best selling author" to put behind your name.
The reader ratings are basted on what readers have responded to works that we sell, AFTER they have read them. Such responses require a bit of enthusiasm to begin with, as they mean the readers have taken the trouble to let the store know they like you.
Best Sellers for ebooksonthe.net |
|
Highest Rated for ebooksonthe.net |
1. A Little Princess by Frances Hodgson Burnett [Classic Literature/Children's Fiction]
2. Pride and Prejudice by Jane Austen [Classic Literature]
3. Minder's Oath [High Places Series: Book 2] by Nina M. Osier [Science Fiction/Mainstream]
4. Captain Blood by Rafael Sabatini [Suspense/Thriller/Classic Literature]
5. Ghost Dancer by Arline Chase [Historical Fiction]
6. The Mysterious Affair at Styles by Agatha Christie [Mystery/Crime/Classic Literature]
7. The Secret Adversary [Tommy and Tuppence Book 1] by Agatha Christie [Classic Literature]
8. Dark Elf: [Book 2 of the Red Knight Chronicles] by Ray Morand [Science Fiction/Mainstream]
9. Slow Dancing with the Angel of Death [Hollis Ball and Sam Westcott Series Book 1] by Helen Chappel [Mystery/Crime/Humor]
10. Tortured Souls [Arbiter Series Book 2] by Matthew L. Schoonover [Horror]
Thursday, June 7, 2012
Hush puppies -- recipe
Tonya Ramagos's Hush Puppies
2 cups yellow cornmeal
2 tbsp. Flour
1 tbsp. Salt
½ tsp. Baking powder
2 tbsp. Chopped or grated onion
2 ½ cups boiling water
Mix all ingredients, except boiling water. Slowly pour ingredients into rapidly boiling water, stirring constantly. Cook until mush-like. Remove from heat. Shape, while warm, into 2-inch balls or patties and place on waxed paper to cool. Brown in deep hot fat. May be made ahead and kept in refrigerator several hours before frying.
Contributed by Tonya Ramagos, author of the Stockland Firefighters Series.
Wednesday, June 6, 2012
Milk the Action -- Writing Tip
Question: About half my test readers "got" a piece of action, and half skimmed right over it. Short of saying, "Pay attention, this will be on the quiz!" how do I get their attention? I not only want them to notice, I want them to gloat about it. How can I make sure that skimmers don't miss this important bit of action?
Answer: It never hurts to "milk the action." That's a tip I picked up from Alice Orr who has written many books, worked as an editor at Walker Books, and had her own agency, and now is a well-known national speaker and teacher. Alice talks in her workshop about how Charlie Chaplin, as the little tramp, was going to have a fistfight with a very large bully. Now we know they are going to fight, and we're pretty certain who's going to win, so the temptation to skim on to the next scene might be almost irresistable. Now in the film we HAVE to watch, and they certainly make it worth our while--and the trick is to slow the action down. First Charlie takes off his hat and hangs it on the peg. The bully charges at him and Charlie holds up one hand, then he takes off his coat and hangs it up very carefully. The bully charges at him again and Charlie again signals for time and proceeds to very precisely roll up the sleeves of his shirt, displaying very skinny arms. It never hurts to keep the reader (or the filmgoer) sitting on the edge of the seat, wanting more. By the time the fight begins we are ALL ready for it!
Tuesday, June 5, 2012
Green Beans with Potatoes or Okra -- recipe
Mary Bible’s Green Beans with Potatoes or Okra.
*Mary always believed in parboiling all green vegetables. She said if you didn't you could get sick from botulism.
4 cups of green beans broke or cut into small pieces about one inch. Parboiled for three minutes and rinsed in cold water.
3/4 teaspoon salt.
3 strips of bacon or a small piece of ham.
Put beans and meat into a large pot and cover with hot water. Stir salt in the beans and add bacon. While beans and meat are cooking, peel and quarter two medium size potatoes.
Cook the beans until water is almost gone. The last twenty minutes place the potatoes on top of beans and cook until the potatoes are done. You can cook okra on top of beans the same way. Good with cornbread.
Contributed by Dorothy Bible Kawaguchi, author of Her Name Was Mary...the story of a mountain woman’s struggle to raise her children alone, during the Great Depression.
*Mary always believed in parboiling all green vegetables. She said if you didn't you could get sick from botulism.
4 cups of green beans broke or cut into small pieces about one inch. Parboiled for three minutes and rinsed in cold water.
3/4 teaspoon salt.
3 strips of bacon or a small piece of ham.
Put beans and meat into a large pot and cover with hot water. Stir salt in the beans and add bacon. While beans and meat are cooking, peel and quarter two medium size potatoes.
Cook the beans until water is almost gone. The last twenty minutes place the potatoes on top of beans and cook until the potatoes are done. You can cook okra on top of beans the same way. Good with cornbread.
Contributed by Dorothy Bible Kawaguchi, author of Her Name Was Mary...the story of a mountain woman’s struggle to raise her children alone, during the Great Depression.
Monday, June 4, 2012
New Books for June at Write Words, Inc.
New Books for June
EYE OF THE STORM
by Tom Glaviano
When a hurricane rages on the coast, wreaking havoc on the lives of the people who live there, the most dangerous threat in the winds and crashing waves may not come from nature. Clayton Ackerman has made a life chasing the hurricanes, storms and blizzards that at times ravage virtually every part of the nation. While covering a tropical storm that was battering the Gulf Coast, Ackerman has an altercation with a young woman that turns deadly and opens his eyes to the potential he’d overlooked for years. People disappear during natural disasters, with little or no criminal investigation. He develops a plan to mine each storm for the young women he takes, venting the rage on them that has been building in him for years. When he takes Ashley Keen, the roommate of Kristen Martin, his intended target, during a hurricane on the North Carolina coast, he sets off a process that could mean the end for Kristen and her young deputy friend Tate Brooks.
978-1-61386-120-2 Suspense/thriller
WITIHOUT MOM
by David Ravenwood
Ever since his mother died, David Sinclair, a tenth grader, can’t seem to finish anything he starts. After his alcoholic father gripes about all the money he’s blown on Karate lessons, tennis lessons, and several other things for his son that came to nothing, David decides to try out for the Heather Heights High School football team as a placekicker. Their star player, Glenn Samson, believes nothing matters but football. David has always admired Glenn and starts thinking the same way. Although he’s never kicked a football in his life, he sticks with it—lifting an old abandoned telephone pole lying on the ground on the huge lot behind his house over and over to gain strength, and practicing until his foot can boot the ball fifty yards. But being a football hero costs a precious price, threatening to ruin his football career before it even gets started. Can David recover from that cost? And will the lessons learned eventually carry him to a much sweeter victory that takes him beyond football?
978-1-61386-121-9 Young Adult
TERROR REIGNS (paperback)
by Eleanor Cross
Tabitha Black does not believe in the supernatural even though for decades past her ancestors were gifted with clairvoyancy. She does not believe in legends either, because she would rather deal with facts. When her parents give her and her five best friends the graduation gift of a lifetime, her beliefs begins to change. On the way home from her boyfriend’s party on the eve of departure for her family’s tropical private island, she has her first glimpse of terrifying events that are about to unfold when she has her first vision. She should have heeded the warning. Upon arrival on the island, she and her friends meet a sole inhabitant of the island, Anthony Baker, who isn’t as fortunate to have been born with a silver spoon in his mouth. While camping on the island, Anthony tells a legend that the locals around the connecting islands tell their children about zombies who have roamed the islands in search for human flesh. No one believes the story however until a few of Tabitha’s friends disappear without a trace. Driven to find her friends, and desperate to find answers, Tabitha is in a race against time. What she wasn’t prepared to discover is who is behind this heinous crime, what started it all, and how deep the lies and deception run and from whom.
ISBN 978-1-61386-057-1 Paranormal, Thriller
RAIN SONG
EYE OF THE STORM
by Tom Glaviano
When a hurricane rages on the coast, wreaking havoc on the lives of the people who live there, the most dangerous threat in the winds and crashing waves may not come from nature. Clayton Ackerman has made a life chasing the hurricanes, storms and blizzards that at times ravage virtually every part of the nation. While covering a tropical storm that was battering the Gulf Coast, Ackerman has an altercation with a young woman that turns deadly and opens his eyes to the potential he’d overlooked for years. People disappear during natural disasters, with little or no criminal investigation. He develops a plan to mine each storm for the young women he takes, venting the rage on them that has been building in him for years. When he takes Ashley Keen, the roommate of Kristen Martin, his intended target, during a hurricane on the North Carolina coast, he sets off a process that could mean the end for Kristen and her young deputy friend Tate Brooks.
978-1-61386-120-2 Suspense/thriller
WITIHOUT MOM
by David Ravenwood
Ever since his mother died, David Sinclair, a tenth grader, can’t seem to finish anything he starts. After his alcoholic father gripes about all the money he’s blown on Karate lessons, tennis lessons, and several other things for his son that came to nothing, David decides to try out for the Heather Heights High School football team as a placekicker. Their star player, Glenn Samson, believes nothing matters but football. David has always admired Glenn and starts thinking the same way. Although he’s never kicked a football in his life, he sticks with it—lifting an old abandoned telephone pole lying on the ground on the huge lot behind his house over and over to gain strength, and practicing until his foot can boot the ball fifty yards. But being a football hero costs a precious price, threatening to ruin his football career before it even gets started. Can David recover from that cost? And will the lessons learned eventually carry him to a much sweeter victory that takes him beyond football?
978-1-61386-121-9 Young Adult
TERROR REIGNS (paperback)
by Eleanor Cross
Tabitha Black does not believe in the supernatural even though for decades past her ancestors were gifted with clairvoyancy. She does not believe in legends either, because she would rather deal with facts. When her parents give her and her five best friends the graduation gift of a lifetime, her beliefs begins to change. On the way home from her boyfriend’s party on the eve of departure for her family’s tropical private island, she has her first glimpse of terrifying events that are about to unfold when she has her first vision. She should have heeded the warning. Upon arrival on the island, she and her friends meet a sole inhabitant of the island, Anthony Baker, who isn’t as fortunate to have been born with a silver spoon in his mouth. While camping on the island, Anthony tells a legend that the locals around the connecting islands tell their children about zombies who have roamed the islands in search for human flesh. No one believes the story however until a few of Tabitha’s friends disappear without a trace. Driven to find her friends, and desperate to find answers, Tabitha is in a race against time. What she wasn’t prepared to discover is who is behind this heinous crime, what started it all, and how deep the lies and deception run and from whom.
ISBN 978-1-61386-057-1 Paranormal, Thriller
RAIN SONG
A beautiful volume of New Age Poetry
by Bobbi Sinha-Morey
Like the sound of a steady rain on your roof, like the fresh smell of a new washed world, Bobbi Sinha-Morey's poems will lull you into dreaminess and awaken your soul.
ALSO AVAILABLE IN RTF AND HTML FORMATS
ISBN978-1-61386-066-3 Poetry, New Age
Sample Poems
GRAFFITI ON THE SIDEWALK
Memories of rain
stay with me long
after the graffiti has
dried on the fence
and faces of sidewalks.
My thoughts are
rekindled by a word
while I am inside the
coffee shop with my
scone gazing out at
the fence, and the
block comes alive
with skateboards and
bicyclists. Every now
and then one of them
stops with chalk or a
paintbrush. More art
and lingo are added.
A kid who is halfway
to being a hippy posts
himself outside the
coffee shop to begin
a mural, and no one
chases him away.
Like an artist he makes
the first strokes in red
while he sits there
patiently on his stool.
THE NIMBLE HAND
Words in invisible ink
appear when the paper
is held to the fire, but
the handwriting is so
tiny I wonder if the
sender likes me. I hold
a magnifying glass up
to the letter, exposing
the wavy lines, the
loops of calligraphy.
Analysis finds such
crooked lines and
inside every
indecipherable word
are secret thoughts.
I imagine it must
have been written in
haste with the late
shine of a red sun
streaming in.
Long, tapered fingers
must’ve held the pen
and, on the wall, the
shadow of a nimble
hand.
by Bobbi Sinha-Morey
Like the sound of a steady rain on your roof, like the fresh smell of a new washed world, Bobbi Sinha-Morey's poems will lull you into dreaminess and awaken your soul.
ALSO AVAILABLE IN RTF AND HTML FORMATS
ISBN978-1-61386-066-3 Poetry, New Age
Sample Poems
GRAFFITI ON THE SIDEWALK
Memories of rain
stay with me long
after the graffiti has
dried on the fence
and faces of sidewalks.
My thoughts are
rekindled by a word
while I am inside the
coffee shop with my
scone gazing out at
the fence, and the
block comes alive
with skateboards and
bicyclists. Every now
and then one of them
stops with chalk or a
paintbrush. More art
and lingo are added.
A kid who is halfway
to being a hippy posts
himself outside the
coffee shop to begin
a mural, and no one
chases him away.
Like an artist he makes
the first strokes in red
while he sits there
patiently on his stool.
THE NIMBLE HAND
Words in invisible ink
appear when the paper
is held to the fire, but
the handwriting is so
tiny I wonder if the
sender likes me. I hold
a magnifying glass up
to the letter, exposing
the wavy lines, the
loops of calligraphy.
Analysis finds such
crooked lines and
inside every
indecipherable word
are secret thoughts.
I imagine it must
have been written in
haste with the late
shine of a red sun
streaming in.
Long, tapered fingers
must’ve held the pen
and, on the wall, the
shadow of a nimble
hand.
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