Friday, March 1, 2013

Catching UP!

Shelley is HOME!!  I have one happy son and one HAPPY GrandPuppy!
Not to mention Happy ME.







Books that went to press this week: 

None.




 
 
 
Galleys that went out this week:
 
EDUCACTION CAN BE MURDER, by A. G. Case
 
DABBLERS by Kathryn Flatt
 

Work began or continued on the following:


FREE FALL, by Ann Nolder Heinz








Books waiting for information from the authors:


TIME: A Seasonal Short Story Collection by Gianni DeVincenti Hayes


SNIPER ON THE ROOF, by Warren Graffeo




Thursday, February 28, 2013




A NEW book is one you haven't yet read!

by Byron and Kay McAllister

Set in 1964, this is the story of world-famous sleuth Tim Rinnissen’s first introduction to detective work. The crime, five years’ old, is an old-fashioned bludgeoning, with traces of attempted poisoning, corruption of officialdom, and an introduction to investigation sponsored by a couple of nudists, locally famous for their gourmet cooking. Tim’s youth and inexperience lead him into trouble, but the nudes rescue him by solving the crime-- feeding him a Malaysian dinner as they analyze how they did it.



Malaysian Sticky Pork Chops

Servings: 2  (Double or triple the recipe and use a larger pan for more people)

4 pork cutlets, of chops trimmed
1/3 cup Chinese wine or 1/3 cup sherry wine
1 tablespoon soya sauce
1 tablespoon grated ginger
2 tablespoons chili sauce or 2 tablespoons chili flakes
2 tablespoons honey

Directions:

1 Heat frying pan over medium heat.

2 Cook meat for 2 minutes each side, or until meat is well browned.
 
3 Remove meat, set aside - Keep warm -
 
4 Add cooking wine, soy sauce, ginger, chili sauce/flakes and honey to the same pan without washing the pan.
 
5 Cook for 3 minutes.
 
6 Return the meat to pan and cook on each side for 1 minute.
 
7 Simmer until the sauce thickens, and pork is cooked through.
 
8 Serve with rice and greens.


Wednesday, February 27, 2013

Vampires





Vampires on the Eastern Shore

By Andy Nunez

An eerie, hair-raising story of everyday people who become both the prey and preditor. Handsome young men were dying in the dark alleyways, expressions of bliss on their faces. Old women, prostitutes, and policemen, all were disappearing in a reign of terror, blood drained from their bodies. The problem was, they wouldn’t stay dead. Police Sergeant Junior Gale was caught up in a web of deceit and destruction as two powerful forces battled in the dark streets and sewers of his city. Who was the mysterious High One unleashing a wave of undead creatures in a small town, where bored adulteresses and powerful businessmen mixed with evangelical revivalists and the dregs of society? Junior Gale had an eclectic mix of allies, but any one of them could be the High One, or the next victim. No place was secure from the evil that pervaded the city at night, not homes, not prisons, not even churches! Love, lust, revenge and murder mix in this tale of vampires and victims, all to satisfy the High One’s Crimson Need.

Vampire's Favorite Red Velvet Cake

Ingredients

3/4 cup all-purpose flour
3/4 cup whole-wheat pastry flour
1/4 cup unsweetened cocoa powder, sifted
2 teaspoon baking powder
1/2 teaspoon salt
3/4 cup plus 2 tablespoon sugar
6 tablespoon cold unsalted butter, cut into chunks (see Cake-Baking Tips)
2 large eggs, at room temperature (see Cake-Baking Tips), separated
2 teaspoon vanilla extract
1/2 ounce red food coloring (4 teaspoon), optional (see Ingredient note)
1 cup nonfat buttermilk
12 ounce soft light cream cheese
3/4 cup confectioners' sugar
1 1/2 teaspoons vanilla extract
1/2-1 ounce chocolate, grated, for garnish (optional)

Directions

1. To prepare cake: Preheat oven to 375 degrees F. Coat two 9-inch round cake pans with cooking spray.

2. Whisk all-purpose flour, whole-wheat flour, cocoa, baking powder and salt in a medium bowl.

3. Beat sugar and butter in a large bowl with an electric mixer on medium speed until crumbly, about two minutes. Beat in egg yolks one at a time, then add vanilla and food coloring (if using) until smooth.

4. Beat in half the buttermilk on low speed until smooth, then half the flour mixture. Scrape down the sides of the bowl, then beat in the remaining buttermilk. Beat in the remaining flour mixture just until combined.

5. Clean and dry beaters. Beat egg whites in a clean medium bowl at high speed until soft peaks form. With a rubber spatula, gently fold the whites into the batter until just incorporated, using long, even strokes. Divide the batter between the prepared pans, spreading to the edges. Gently rap the pans against the counter once or twice to settle the batter.

6. Bake until a toothpick inserted into the center comes out clean, 15 to 20 minutes. Cool on a wire rack for 10 minutes, then invert the layers onto the rack, remove the pans and let cool to room temperature, about 45 minutes more.

7. To prepare frosting & assemble cake: Beat cream cheese, confectioners' sugar and vanilla in a large bowl with an electric mixer on medium speed until smooth. Place one cake layer top-side down on a serving plate; cover with half the frosting, spreading just to the edges. Set the second layer on top, top-side down. Spread the remaining frosting on the top only. Sprinkle with grated chocolate, if desired.

Cake-Baking Tips:
When using cake pans, they must be greased and floured to create a thin layer of protection against the oven's heat. For greater convenience, use a cooking spray that has flour in the mix, such as Pam for Baking, Baker's Joy or Crisco No-Stick Flour Spray.

Whole-wheat pastry flour has less gluten-forming potential than regular whole-wheat flour, making it a better choice for tender baked goods.

To properly measure flour when baking, use a spoon to lightly scoop flour from its container into a measuring cup. Once in the measuring cup, use a knife or other straight edge to level the flour with the top of the cup. If the measuring cup is dipped directly into the container”a common mistake”the flour will be packed into the cup and result in extra flour being added to the recipe, yielding tough, dense baked goods.

Room-temperature butter for a batter is one of the biggest culinary missteps. In fact, butter must be below 68°F to trap air molecules and build structure. Otherwise, the fat will be liquefied and the cake will be flat. To get "cool" butter: Cut refrigerated butter into chunks and let them sit in a bowl for 5 minutes before beating.

Eggs must be at room temperature for the proteins to unwind enough to support the cake's crumb. Either set the eggs out on the counter for 15 minutes or submerge them in their shells in a bowl of lukewarm (not hot) water for 5 minutes.

Although you cannot overbeat the eggs, sugar and butter, you can overbeat the flour. If you do, you'll develop the gluten and create a quick bread rather than a layer cake. Beat the flour just until there are no white grains of undissolved flour visible but not until the batter is smooth.


Tuesday, February 26, 2013

Tension and Suspense -- writing tip






by Kathryn Flatt

Artist Stefanie Durant never expected trouble on her return to Windsong Lake after her Uncle Hank was killed by lightning, making his house in the small town hers. As soon as she arrives, clues indicate that Hank had feared for his life and he had developed an interest in weather and mysticism. She also learns two of her old friends have adopted a pagan religion and dabble in magic. The connection is impossible to ignore, especially in light of the Ken, the psychic ability Stefanie had suppressed for more than twenty years and kept secret from everyone. It tells her something very wrong surrounds Hank’s death when she begins doing “sleep pictures,” crude sketches she never remembers drawing that foretell of danger. Although she would rather keep her secret, the Ken becomes increasingly difficult to control as danger arises out of Stefanie’s search for answers about her uncle. Who killed Uncle Hank and why? Was it the friend who has embraced dark magic, or was it the builder of the mysterious altar-like structure in the woods behind Hank’s property? And will releasing the Ken help solve the mystery or will it drive Stefanie to the brink of madness?

Building Tension and Suspense

Question from the e-mail:  You have, or used to have, a handout on how to build in tension and suspense. I've moved three times since then, but would really like to see that again.  Can you help?

Answer:  Sure do.  See below:

One way to write page-turner fiction is to build in tension and suspense into every scene..
Without those two elements, there is no real story. Someone has to want  something – usually, it’s the main character – and wondering whether  they will get it or not is the definition of reader suspense.  For tension to be present, the reader has to care about that character, to be rooting for him to succeed.

One way to make the reader care is to use motivation  (why the character wants the something) to increase the tension.

All characters act for reasons of their own. Good characters have a good reason for acting as they do. Bad characters have a bad reason, but ALL characters MUST have a reason. That reason is called motivation.

The term tension, in fiction writing, has to do with the amount of stake the reader has in your characters.  The more the reader cares what happens to your protagonist, the more tension there is. Good motivation increases tension. Tension can be increased by inserting action that magnifies the danger to the main character, or that makes it look less likely the character will get what he or she wants. Any scene that makes it look like the main character is in danger of losing what he or she wants in the story will  increase tension.

To a fiction writer suspense isn’t just for mystery writers. Suspense means keeping readers guessing what will happen next. The term suspense, denotes how involved the reader is in your plot.  If he or she already knows (or can guess) what is going to happen, there isn't any suspense (critics call it "predictable"), and little reason to continue reading. Readers begin to feel “tired” when you tell them something they already know. Hooks help increase suspense. To avoid trite plots, make a list of 10 things that might happen next and pick the least likely. Or brainstorm with friends to come up with suggestions for unusual and exciting twists. Remember, keep the readers guessing .Don’t tell them everything at once. Feed them little bits of information in dribs and drabs, to keep them guessing what will happen next. YOU have to know everything, of course, but you don’t have to TELL everything at once. A good place to put that information is in your end of scene hooks, where you would ordinarily plant a question in the reader’s mind about what will happen next or what secrets from the past the character is concealing.

Having defined both terms let me give you an exaggerated example:

Your detective, Sam Shovel, a hard-drinking, insensitive, bigoted lout, is being held at gunpoint by an equally nefarious antagonist. Whether he gets shot or not is suspense – a plot turning point. Whatever happens, SOMEthing will be different afterwards. Whether the reader cares if Sam gets shot? That's tension.... Since Sam is such a louse, we may not care at all.

Now suppose Sam is working for Tess Trueheart, and (for an exorbitant fee – which is Sam’s motivation) is trying to find evidence that will prove her innocent of killing the man who sold her an unsafe used car, raped her sister, and kicked her dog. Tess is a teacher in a school for the blind, takes care of her invalid mother, and helps little old ladies across the street. If Sam is shot, Tess will be found guilty for sure...do we care now whether Sam gets killed? 

Now I DID say it was an exaggerated example, but do you see how motivation affects tension? Tess (a good character) is in danger of losing her freedom, perhaps even her life, if she is convicted of murder. The reader will care about Tess, even if Sam is a louse. Now no “real” character will be as big a louse as Sam. No real woman will be as pure-hearted as Tess. But even “real” characters must have a reason for what they do. And if your reader is going to root for your  Pro-tagonist it must be a good reason.

Monday, February 25, 2013

"Forgotten" Dog Biscuit Recipe





By Nancy Madison

In this romantic comedy, the rocky road to love just got rougher. Jake Malone's dead sure he doesn't need anyone to complete or complicate his life.

Meeting the self-assured loner, Carly Anderson disagrees and vows to pursue Jake until he catches her. In her quest, Carly's helped or hindered by a wanna-be Stallone, a larcenous film producer who preys on lonely women and a granny with a black Labrador and a Harley.

"Forgotten" Dog Biscuit Recipe


Neither overtly salty nor sweet, and with a pleasantly grainy texture, these biscuits won a loyal following among dogs — as well as humans.

Ingredients

  • 1 1/4 cups all-purpose flour
  • 1 1/4 cups whole-wheat flour
  • 1 1/4 cups cornmeal
  • 1 1/4 cups old-fashioned rolled oats
  • 1/2 cup toasted wheat germ
  • 1/2 cup packed light brown sugar
  • 1 tablespoon baking powder
  • 1 1/2 teaspoons salt
  • 1 1/2 sticks (3/4 cup) cold unsalted butter, cut into tablespoon pieces
  • 1 cup plus 1 tablespoon water
  • 1 large egg
  • Special equipment: a pastry or bench scraper;
  •  If you don't have a dog-biscuit cookie cutter, you can use a glass and make plain round ones.

Preparation

Pulse flours, cornmeal, oats, wheat germ, brown sugar, baking powder, and salt in a food processor until combined. Add butter and pulse until mixture resembles coarse meal with pea-size butter lumps. Add 1 cup water and pulse until a coarse, dense dough forms. 

Turn out onto a lightly floured surface and knead . Gather, then halve dough with scraper. Form into 2 balls and flatten each into a 6-inch disk. 

Put oven racks in upper and lower thirds of oven and preheat oven to 350°F. Grease 2 large baking sheets. 

Roll out 1 disk of dough into a round (1/3 inch thick) on a well-floured surface with a well-floured rolling pin. (If dough becomes too soft to roll out, wrap in plastic and chill until firm.) 

Cut out as many biscuits as possible and arrange about 1/4 inch apart on 1 baking sheet. 

Gather scraps and reroll, then cut out more biscuits. Repeat with remaining dough, using other baking sheet. 

Whisk together egg and 1 tablespoon water. Brush biscuit tops with egg wash and bake, switching position of sheets halfway through, until tops are golden brown, about 35 minutes total. 

Turn off oven and "Forget" to take the biscuits out until tomorrow morning. 


Cooks' note: Biscuits keep, layered between sheets of wax paper or parchment, in an airtight container at room temperature 1 month. Or indefinitely in a zip lock bag in the refrigerator. But if your Pooch is like ours, they won't last long.

Saturday, February 23, 2013

Sharp Writ Book Awards



At the end of Ozark Girl, Charlene Ridley had finished eighth grade and finished with life in the Ozarks, or so it seemed. We meet her again in Getting Smart, following her along the bumpy roads of life in the Ozark hills. We share with her those experiences — happy, confusing, painful— that continue to shape her life. We see her figuring out the new rules—her mother’s and those unwritten rules of high school life. Bobby Ray is back, as are Leitha, Jeannie, Fig, Jerry, and most of the Boogey Flats residents we met earlier. But there are also new people entering Charlene’s life, and they play an important role in helping her to "get smart."

SMART-WRIT BOOK AWARDS

 http://www.prweb.com/releases/book/marketing/prweb9251803.htm

I know some of our authors are Mensa Members have not heard of most of the other organizations. Also this seems costly, but...

Submissions for the 2012
Sharp Writ Book Awards are Now Open!




DEADLINES AND ENTRY FEES
Super Early:  April 30th - US $40.00 or equivalent in foreign currency
Early Bird: June 30th - US $55.00 or equivalent in foreign currency
Regular: August 31st - US $70.00 or equivalent in foreign currency
Books authored by members of the recognized high IQ societies* – August 31st  - US $55.00 or equivalent in foreign currency
*Recognized High IQ Societies:
  • Mensa Internationaland various Mensa National Organizations
  • Ingenium HIQS
  • Uniq Society
  • Logiq Society


Ready to submit an entry?   Download and entry form in either fillable PDF or MS Word format.  Entry form can be mailed with submission OR emailed to submissions@book-awards.org.


Friday, February 22, 2013

Catching UP!

by Newton Love

When Nick Schaevers takes the case, his client is already in prison, convicted of murdering a business partner. If ever there was a need for St. Jude--the Patron Saint of desperate situations--to intercede, this was it. To discover who framed his client, Nick must break laws, both statute and spiritual, and wager his life in a dangerous bet before he is through. What's a good Catholic boy doing in the killing business anyhow? Can Nick stay in the business without irreparably staining his soul? In the course of the investigation, Nick meets Wendy Crooks, who may be the soul-mate he had almost given up on meeting. The psychological strain of his life and work circumstances crossed with a new woman causes him to grow but develop new neurosis, too.



Catching UP!
Things are moving a bit slowly this week. Shelley is still away at a family wedding. Sure hope she is having fun.  Meanwhile Roger is feeling better and we are hoping he recovers soon.

Author Judy Reveal reports that someone has sent spam from her e-mail address (as can happen to anyone) and reminds us all never to open an e-mail for ANYONE that contains just a link with no message.


 Books that went to press this week: 

None.

Galleys that went out this week:
 
 
 
 
 
MAICAH'S JEWEL: Moretti Men Series, Vol. 1, by Anna Dynowski
 
GAME FACES: Faces Series, Vol. 2, by Kathryn Flatt
 
DR. SHABBAZ, by Dan Klefstad.
 
 
 
 
Work began or continued on the following:
EDUCACTION CAN BE MURDER, by A. G. Case

FREE FALL, by Ann Nolder Heinz

TRANSIT OF VENUS, by Moishe Garfinkle.








Books waiting for information from the authors:


TIME: A Seasonal Short Story Collection by Gianni DeVincenti Hayes

CHANGELING KILL, by Kathryn Flatt


SNIPER ON THE ROOF, by Warren Graffeo