Wednesday, February 9, 2011

Chicken Marsalla - recipe

Josh Aterovis’s Chicken Marsala
2-4 bonesless, skinless Chicken Breasts
4 Tbsp olive oil
4 Tbsp margarine or butter
1 Cup sliced fresh mushrooms
1/2 cup Marsala Wine
1/2 cup red wine or sherry
1/2 cup chicken bullion

Flour Mixture (to coat chicken):
1/4 cup flour
1/2 tsp salt
pepper to taste
1/2 tsp oregano

Pound the chicken breasts until they are approximately 1/4 inch thick. Dredge in flour mixture.

Heat the oil and margarine together in a deep skillet until it begins to bubble. Cook the chicken breasts until they are golden brown on both sides. Remove. Add the mushrooms to the skillet and saute them until they start to cook. Add the wine and bullion. Thicken with cornstarch until it reaches a gravy-like consistency. Return the chicken breasts to the sauce and simmer for ten minutes. Serve over pasta.

Contributed by Josh Aterovis, author of Bleeding Hearts...Quiet unassuming 16-year-old Killian Travers Kendall has always known somewhere inside himself that he was different from other boys... Then an openly gay youth becomes a student at his school. For the first time Killian has met someone who understands. When the new boy is murdered and Killian is injured during a hate crime, the young man vows to find the killer.

Tuesday, February 8, 2011

Nauseous? -- writing tip

Question: Someone in my writers' group told me there's no such word as nauseous. I can't believe that. I've seen it a hundred times. What can I say to her?

Answer: Well, there is such a word -- the dictionary says so. But the meaning is often confused with the verb nauseated. Nauseated is when you or your character feel sick. Nauseous is when you or your character smell so bad that you make other people feel sick. Same meaning as the more common variant, noxious.

Therefore, despite the fact that I've seen perfectly good authors, Dick Francis and Lisa Scottoline, among others, use nauseous to mean nauseated, and that the coloquialism is fast becoming standard usage in the US, in correct English a character cannot "feel nauseous." If he IS nauseous, it means he makes other people feel sick. If HE feels sick, he is nauseated.

Hope that answers the question.

Monday, February 7, 2011

Corn pudding - Recipe



Lizzie Dix’s Corn Pudding

1 small box Corn Muffin Mix. Martha Washington or any other brand. Prepare batter according to directions.

Add to batter:

1/4 cup. Brown sugar
1/4 tsp. cinnamon
1 can creamed corn
Dash of salt.

Bake in a greased 9x9x2 inch square baking pan or dish, for 35 to 40 minutes in a slow 325-F or 163-C oven, or until brown on top and solid, but not too dry. It’s done when a toothpick comes out clean, but should be moist.

Contributed by Lizzie Dix, author of A Day in the Marsh...Chris thinks going to a meeting with his father will be bor-ing. Then the marsh beckons to him. First reader, second grade reading level.

Friday, February 4, 2011

Catching up - vist from Mr. Pish


We enjoyed a lovely talk with Mr. Pish this week. He is hard at work on a new travel book and we'll soon be publishing his "Woodland Adventures" showing him meeting local celebrities at his new home in Washington State.


Still working on a number of projects, but no galleys went out this week.

Books that went to press this week: VIENNA PRIDE by Terry L. White

No galleys were returned, either, though a few are out and we are still waiting to hear about corrections.

arline

Thursday, February 3, 2011

Question from a former student -- A hole? - writing tip

Question: I took your tip on being a stringer and it resulted in an instant assignment with my local newspaper. :) But the editor warned me, just before he hung up, "I'm trusting you on this, so get a quote in the second paragraph and don't leave me with a hole here." What's he talking about?

Answer: A quote is whatever the subject of the story says to you. Baring profanity, whatEVER he says, write it down so you can quote him. A HOLE is the space the editor is saving for your story. If you, for some reason, don't turn in a story, then he's left with a "hole" and nothing to put there. Editors who haven't worked with writers before, don't know yet if they can deliver the story. Trust me, editors have nightmares about holes.

When I worked at the newspaper, we got a release that Willie Nelson was planning to play a local folk festival in Ocean City and would hold a press conference AFTER the concert (about 10 p.m.), answering questions from anyone who wanted to stick around and ask them.

Unfortunately, we didn't have a stringer, so we had to send a "real" reporter. That meant paying him for hours of waiting around. Even so, at great expense, we sent a reporter to cover Willie Nelson who, being very popular in our county, helps sell newspapers. We chose our youngest cub, and paid him 8 hours overtime to cover travel, etc. He got two tickets to the concert so he could take his girlfriend along. We even paid him mileage and covered his meals, warning him that the night would be a late one and asking that he file his story from his laptop, before going to bed. We were an "evening" paper, which meant we hit the street before noon. When I started to lay out the front page at 5 a.m. I found no story and called the reporter.
"Shawn," I said, "Where's your story on the folk festival?"
"Oh, I didn't write anything."
"Why not? Didn't you go?"
"Yeah, I went. But nothing happened."
"What d'you mean, nothing happened? I've got a 16 inch hole in the front page!"
"Well, see -- uh, Willie Nelson's bus got in a ditch up around Dover someplace, so, uh, he didn't show up, and he was the only big name. So, well, nothing happened. There's no story."

There certainly should have been a story! I can think of several headlines. "Performer not injured in bus mishap" was the one we went with, because it was easy to make Sean call the Delaware State Police and get quotes from their "spokesperson" and have the accident report faxed in. (He wrote the story in half an hour, on deadline, and you should have seen his commas! Not that I had time to fix them if the paper was to hit the street on time.

Now if Sean had been doing anything but stuffing himself and thinking about whether he was going to get anywhere with the girl he took along, we could have had, "Festival crowd disappointed when Nelson failed to make date," or "Promoters offer refund, but crowd waits for Nelson," or "Local performers do double duty when Nelson arrives late," or "The show goes on, about four hours late." How do I know? Because those were the headlines in the other local papers that covered the event. As you can see, at least one other reporter left early. Listen, if they show up, it's news. If they don't show up, it's still news.

Anyway, the moral of this long and boring story is, if they talk to you, that's a quote. Even if they say, "No comment," or "Get out of my face. I ain't got nothing to say!" That's still a quote. And whatever happens or doesn't happen, that's NEWS. Write something about it and turn it in.

Quote them, write your story, and don't leave your editor with a hole. He'll thank you for it and remember your name whenever he needs a stringer.

Wednesday, February 2, 2011

Wild Rice Casserole - recipe


Carlene Dater’s Wild Rice Casserole

1 cup wild rice
½ lb. fresh or 2 cans mushrooms
¾ cup butter
3 Tbsp. grated onion
3 cups chicken broth

Soak and wash rice 3 or 4 times in boiling water till rice opens up. Slice fresh mushrooms. Brown rice in butter; add remaining ingredients except broth. Put into buttered 2 ½ quart casserole. Add broth. Cover and bake at 350-F or 177-C for about 1 ½ or 2 hours. Takes a while, but well worth it.

Contributed by Carlene Dater, author of The Colors of Death

Tuesday, February 1, 2011

Anachronism anyone? - writing tip

Read a book this week by a best-selling author who shall remain nameless. It was a historical tale set in Elizabethan times and the story was a good one, kept the reader avid for more. Well done, except....

Well John Gardiner, whose book THE ART OF FICTION is a favorite of mine, used to talk about not waking the author from the "dream" of the story, and this book, while not new, and while a good rousing tale, contained several "wake up calls."

Looking at if from a writer/craftsman's aspect, it seemed fairly obvious to me that the author had conceived it first as a modern story, then set it back in time. There was a wonderful wedding scene. It had whole roasted pigs, jongleurs (what the hell is a jongleur, anyway?), lute players and troubadours singing bawdy songs of wedded bliss. Then a minor character praised the cheese served in the wedding "buffet," saying to the bride's father, "Where did you get this wonderful cheese?" To which the bride's father replied, "Oh, I'm glad you like it, okay? We had it flown in special."

"Buffet" and "okay" would have been bad enough, as in Elizabethan times "buffet" was a cupboard and "okay" didn't come into usage until the 19th century and then only as an American expression until the 20th. But "flown in?" How?

This is why it's important to have your own set of first readers, trusted friends who will go through your manuscript and warn you about things you may have missed. One of the best things about writing is that you can so easily go back for "do overs."